Current and Past Exhibitions and Events

MIA MULVEY ~ NEW WORK

Exhibition Dates: September 4–October 31, 2009
Opening Reception: Third Friday September 18 6-9pm, 2009
Closing Reception: October 16th, 6-9pm





Artist's Statement for NEW WORK


This body of work is taken from 3-dimensional prints of actual biological specimens. Replicating anatomy that is "true" and tied to a once-living, individual animal has been central to this work. These animals exist as X-ray CT scans of specimens in the Digital Morphology Library at the University of Texas in Austin. The 3-D scans were then printed on a 3-D printer and/or CNC milled out of foam and reproduced in porcelain.

The animals I have chosen to work with are all protected and thus threatened in the wild. They represent a larger population of animal species and their current status in the world. As humans, our views of these animals, and all of nature, is most often as a place “out there”, limitless and enduring. Our views are also often cluttered with romantic notions of exotic travels and attractive museum displays.

Our world's animal population is dwindling due to the fragmentation and loss of habitat from deforestation, farming, human encroachment, hunting, and climate change. These works deal with the ideas of beauty, collection, extinction, death and ultimately our relationship with nature.

Press Coverage

Read a review of this exhibition by Denver Post Fine Arts Critic, Kyle MacMillan. Listen to an interview with the artist as the featured guest on The Untitled Art Show with hosts Erik Isaak and Michael Keen.
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Brighter Than Real: New work from Mathew McConnell

Exhibition Dates: Friday, August 7–Saturday, August 29, 2009
Opening Reception: Friday, August 7, 6-9pm, and Friday, August 29, 2009, 6-9pm







Artist Statement
Brighter Than Real
VERTIGO Art Space, August 7-29, 2009

In a conversation with a friend I had not seen in several years, she described to me a project she had been working on. During her short description of what she was creating I realized the project she had taken up was not altogether unfamiliar to me. What she had described was a project that I had once described to her, a project I had helped another artist with, a project that was never fully realized. I chose not to remind her of our long-forgotten conversation.

My most recent project bases itself in the work of other visual artists. Often using a singular form or image of another artist’s creation as a starting point, I recreate the work with alterations to suit my own aesthetic and conceptual preferences. The resultant forms vary between what could be mistaken as a miniature facsimile of another artist’s work and original artworks with a source seemingly outside any individual referent.

Choosing works to remake and alter is as intuitive as it is arbitrary. I find myself primarily drawn to objects that question their role as objects of art. Conversely, I am also interested in objects that raise questions about their potential role in the world if they were not to be viewed in the context of the gallery space. Many of the objects and images I am interested in have a direct lineage to the works of a previous generation of artists; they too are a reworked response to their predecessors and contemporaries.

In the construction of these replicant objects and assemblages I often find myself trying to pinpoint the exact moment at which the work becomes more mine than theirs. Sometimes this moment occurs in the mere selection of a form, and at other times it does not occur at all. Through careful arrangement of these simulated, manipulated, exalted, and subverted forms, I find, at the best of times, a means of reconciling the difference between what is the art of someone else’s creation and what is an art of my own.


Mathew McConnell (photo by Ken Hamel/DenverArts.org)

Press Coverage

Read a review of this exhibition by Ken Hamel at DenverArts.org.
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DMB Ideas

Exhibition Dates: July 3-30 2009
Opening Reception: July 3, 6-9pm
Featuring: DMB Ideas






With an exercycle-powered dance party, an unforgettable acapella ensemble, and “deep discounts,” the DMB Collective enjoys doing things the wrong way. Building on a shared sense of the absurd, these three artists question the value of language and the objects surrounding us. By practicing the most blatant misappropriation and misuse, the DMB explores overlooked opportunities in the commonplace and obsolete objects we live with.





Press Coverage

Listen to an interview with the artists as the featured guests on The Untitled Art Show with hosts Erik Isaak and Michael Keen.
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